Lily Elsie, le Belle Epoque Beauty no.3 in my series Beauties of le Belle Epoque

Lily Elsie had a flawless face, true perfection in my estimation. She was one of the most photographed women of le Belle Epoque. She was born Elsie Hodder on April 8, 1886 in Leeds, Yorkshire, England. On her birth certificate, her mother, Elizabeth Hodder, was listed as a dressmaker. There was no father recorded. Then in 1891 her mother married William Cotton and Elsie took the Cotton name at that time. William Cotton gave his occupation as a theatrical baggage master. By the 1901 census Elizabeth Cotton the dressmaker was listed as an actress. Elsie herself began acting as a child and soon the precocious yet painfully shy child became known as Little Elsie in the world of music hall and theatrical entertainment. She traveled from theater to theater throughout England as she grew starring in many popular shows of the period including, The Arabian Nights, Little Red Riding Hood,  King Klondike,  as Aerielle, the Spirit of the Air, McKenna's Flirtation, Dick Whittington, The Forty Thieves, Blue Beard, The Silver Slipper and the Three Little Maids. From about 1900 she adopted the name "Lily Elsie", not too different from her previous Little Elsie. Having grown into a beautiful young woman, Elsie joined a company at Daley's Theater in London as a chorus girl. Soon she was acting again appearing in fourteen musicals from 1900 to 1906.

Real success did not come to Elsie until she appeared in the starring role in The Merry Widow at the operetta's London premiere in June 1907. The hit show ran for 778 performances at Daley's Theater. The show was a triumph as was Lily Elsie. Overnight she had become a legend. Her face was soon featured on many products  and advertisements from chocolate and biscuit tins to cosmetics. Magazines produced special supplements about her. Clothing designers sold more when their garments were associated with Miss Lily Elsie. Every fashionable woman of the time wanted the plumed hats she wore in The Merry Widow so much so that they became an extraordinary fad. After The Merry Widow, Elsie appeared in 16 more shows always receiving many accolades.

Many of the most prominent, wealthy would-be suitors, mostly from the nobility of London, were met with a casual and elusive disinterest that just fueled her beguiling sense of mystery and nevertheless, did not stop them from sending her the most exquisite gifts of jewelry emblazoned in diamonds and rubies and more. Elsie was quoted as saying, "I have never been fool enough to give my heart to one of them, and so they think it must be worth having!" and "I'm always rude to men. And the ruder I am the more they like me!"

After just a few short years of fame, Elsie married Major Ian Bullough, the twenty-six year old son of a millionaire textile manufacturer in November 1911 and relished spending time out of the public eye. She did return to the stage periodically for roles in Malvourneen, The Admiral Chrichton, and Pamela. She appeared in 2 films, in 1918 a cameo in The Great Love with Lillian Gish, and in 1919 in the silent movie Comradeship. Then in 1920 she and her husband moved to a village in Gloucestershire for a number of years away from the stage enjoying social events and fox hunting. In 1927 she appeared in The Blue Train and in 1928 her last show, The Truth Game. Her health was said to have been poor throughout her life and she reportedly had several operations during her life on stage. She found the eight performances a week of The Merry Widow especially grueling and found excuses for not appearing in matinees. She was said to have become "difficult". Speculation exists about possible problems with anemia and/or an early onset menopause at age 22. Her husband had problems with alcoholism. She and her husband divorced in 1930.

In her later years she was said to have become a hypochondriac and spent much of her time in nursing homes and Swiss sanatoria. She was said to have become so quarrelsome that even her most devote supporters left her. Luckily, she had the finances to be cared for in style for the rest of her life. Her mental health seriously deteriorated to the point that she underwent brain surgery, a frontal lobotomy, a practice common at the time but since then considered barbaric. She spent the last two years of her life living at St. Andrew's Hospital in London happy in her anonymity. She died December 16, 1962 at age 76 of heart failure and bronchopneumonia.

You have now seen 3 of my Belle Epoque beauties. Does anyone have a favorite so far? Evelyn Nesbit? Lina Cavalieri? Or Lily Elsie?

Lina Cavalieri, le Belle Epoque Beauty

Evelyn Nesbit, le Belle Epoque Beauty

Evelyn Nesbit, Supermodel of le Belle Epoque

Who was Evelyn Nesbit? If you lived at the turn of the century you wouldn't have asked that question. Everyone knew who she was! Some call her the world's first supermodel. She was a chorus girl and artist's model in New York City who was swept up in one of the era's most infamous murder cases.

Evelyn was born Florence Evelyn Nesbit on Christmas day in 1884 in a small village near Pittsburgh. Her father was a struggling lawyer who died when Evelyn was just 8 years old. He left behind substantial debts and a widow with two children who were nearly destitute. By the time Evelyn reached puberty she was noted to be a breathtaking beauty which was not lost on a number of local artists. She soon found employment as an artist's model. When she was sixteen, she and her mother moved to New York City where Evelyn was introduced to several New York artists and was soon a sought after model and also worked on Broadway as a chorus girl.

Evelyn, at the age of 16, was quickly noticed on Broadway by New York architect and millionaire, Stanford White who, even though he was married, was determined to seduce her. White was 47 years old at the time and seducing young girls was not unfamiliar to him. He invited Evelyn to his luxurious apartment located above FAO Schwarz toy store under the guise of wanting to photograph her. After a few visits Evelyn was no longer a virgin and Stanford White was no longer interested.

Stanford White 

Soon Evelyn became involved with Harry Kendall Thaw, the Pittsburgh son of a coal and railroad baron. He became increasingly possessive of her. Thaw was jealous of her previous affairs with John Barrymore the actor, Robert J. Collier a young magazine publisher, and James Waterbury a well known polo player; but mostly Thaw was incensed by Stanford White who he said ruined Evelyn. Thaw was  reportedly a cocaine addict who liked to sadistically whip women, including Evelyn, and occasionally young boys. But in-spite of that, Evelyn married Thaw in 1905 when she was twenty years old.

                                             Harry K. Thaw

On the evening of June 25, 1906, Nesbit and Thaw ran into Stanford White in the audience of the Madison Square Garden's rooftop theatre. During the song "I Could Love a Million Girls", Thaw shot White three times at close range in the face. Needless to say, White died. Harry Thaw was tried twice for the murder of Stanford White. The first trial ended in a deadlock, and with the second trial Thaw pleaded temporary insanity.  Harry Thaw's mother purportedly promised Nesbit a quiet divorce and one million dollars if she would testify in her son's behalf telling the jury that Stanford White had raped her (Evelyn) and that Thaw was just avenging her honor. Evelyn testified, got the divorce but never saw a penny, in fact, she was immediately cut off financially by Thaw's mother. Thaw was found insane and was incarcerated in a hospital for the criminally insane where he enjoyed almost total freedom. Nevertheless, he did escape several times but was caught, and in 1915 he was released after being judged sane.

After the second trial, Evelyn had modest success in vaudeville and silent movies. There was one more short marriage, alcoholism and cocaine addiction and multiple suicide attempts before her life turned around. She published two memoirs, and in her later years taught classes in ceramics. She died in 1967 at the age of 82.

She was reportedly the inspiration for Charles Dana Gibson's many illustrations of the "Gibson Girl"     (see top of story - the Question Mark Girl) and also the inspiration for the model for the heroine in Anne of Green Gables by author Lucy Maud Montgomery. She was technical advisor and inspiration for the 1955 movie, The Girl in the Red Velvet Swing. There were ten non-fiction accounts of her life and five fictional accounts based on her life.

Evelyn Nesbit is probably the most infamous artist's model of le Belle Epoque and certainly stunningly beautiful, but in coming weeks I will be introducing you to a few more of her contemporaries who although not as infamous, personally, I find them to be even more beautiful!