The Beautiful Changes by Richard Wilbur

One wading a Fall meadow finds on all sides 
The Queen Anne's Lace lying like lilies
On water; it glides
So from the walker, it turns 
Dry grass to a lake, as the slightest shade of
you
Valleys my mind in fabulous blue Lucernes.

The beautiful changes as a forest is changed 
By a chameleon's tuning his skin to it;
As a mantis, arranged
On a green leaf, grows
Into it, makes the leaf leafier, and proves
Any greenness is deeper than anyone knows.

Your hands hold roses always in a way that 
says
They are not only yours; the beautiful changes
In such kind ways,
Wishing ever to sunder
Things and things' selves for a second finding,
to lose
For a moment all that it touches back to 
wonder.

My First Excursion in my New Home Town - Olbrich Botanical Gardens in Madison, Wisconsin

It was an exciting afternoon visiting the 16 acre Olbrich Botanical Gardens in Madison, Wisconsin this week. We focused specifically on the Bolz Conservatory, a 50 ft. high glass pyramid housing an extensive collection of tropical plants, birds and butterflies. It was like being transported to a lush distant rain forest. The plays of light and shadow along with the infinite show of shapes and colors delighted the photographer in me.

Dust by Sara Teasdale

When I went to look at what had long been hidden,
A jewel laid long ago in a secret place,
I trembled, for I thought to see its dark deep fire—
But only a pinch of dust blew up in my face.

I almost gave my life long ago for a thing
That has gone to dust now, stinging my eyes—
It is strange how often a heart must be broken
Before the years can make it wise.

45 Mercy Street by Anne Sexton

In my dream,
drilling into the marrow
of my entire bone,
my real dream,
I'm walking up and down Beacon Hill
searching for a street sign -
namely MERCY STREET.
Not there.

I try the Back Bay.
Not there.
Not there.
And yet I know the number.
45 Mercy Street.
I know the stained-glass window
of the foyer,
the three flights of the house
with its parquet floors.
I know the furniture and
mother, grandmother, great-grandmother,
the servants.
I know the cupboard of Spode
the boat of ice, solid silver,
where the butter sits in neat squares
like strange giant's teeth
on the big mahogany table.
I know it well.
Not there.

Where did you go?
45 Mercy Street,
with great-grandmother
kneeling in her whale-bone corset
and praying gently but fiercely
to the wash basin,
at five A.M.
at noon
dozing in her wiggy rocker,
grandfather taking a nap in the pantry,
grandmother pushing the bell for the downstairs maid,
and Nana rocking Mother with an oversized flower
on her forehead to cover the curl
of when she was good and when she was...
And where she was begat
and in a generation
the third she will beget,
me,
with the stranger's seed blooming
into the flower called Horrid.

I walk in a yellow dress
and a white pocketbook stuffed with cigarettes,
enough pills, my wallet, my keys,
and being twenty-eight, or is it forty-five?
I walk. I walk.
I hold matches at street signs
for it is dark,
as dark as the leathery dead
and I have lost my green Ford,
my house in the suburbs,
two little kids
sucked up like pollen by the bee in me
and a husband
who has wiped off his eyes
in order not to see my inside out
and I am walking and looking
and this is no dream
just my oily life
where the people are alibis
and the street is unfindable for an
entire lifetime.

Pull the shades down -
I don't care!
Bolt the door, mercy,
erase the number,
rip down the street sign,
what can it matter,
what can it matter to this cheapskate
who wants to own the past
that went out on a dead ship
and left me only with paper?

Not there.

I open my pocketbook,
as women do,
and fish swim back and forth
between the dollars and the lipstick.
I pick them out,
one by one
and throw them at the street signs,
and shoot my pocketbook
into the Charles River.
Next I pull the dream off
and slam into the cement wall
of the clumsy calendar
I live in,
my life,
and its hauled up
notebooks.